40 x 60 cm epoxy/alcohol ink/acrylic Beyond the city's perfect grid, the air felt different. Time slowed down. Colors refused to stay inside their lines. Mistakes became art. Silence became music. It wasn't broken. It was alive. The system had been designed for repetition. The glitch was where freedom began.

34 x 34 cm concrete/epoxy/stabilized moss/alcohol ink This painting was created from my fascination with nature and its silent work with time. I observe how wind, water, sun and rain slowly leave their marks and create colors and structures that cannot be planned or repeated. It is in this imperfect perfection that I find inspiration in the paintings that nature paints itself, patiently and without the need to be admired. In my work, I tried to capture a piece of this process, the moment of transformation when time becomes a co-author of the work. Nature has always attracted, there is peace, freedom and stories in it that are not written in words, but in colors, shapes and layers of time.

126 x 42 cm conrete/epoxy on a mirror A kiss as a small rebellion against the ordinary. One touch of lips is enough, and what only a moment ago felt solid and unchanging begins to crack, almost imperceptibly. Our rigid shell, wrapped in the routine of days, crumbles piece by piece. In that quiet moment, the world stops following its rules, and we dissolve—losing our outlines, melting into waves, tones, and shades. 

31x41 cm - combined technique Even the darkest parts of ourselves, fuel the fire inside us. Don´t fight it, use it.

30 x 60 cm - Alcohol ink/resin For a long time, I wanted to create a painting focused on surfing. The feeling you get when you finally catch a proper wave after so many failed attempts is something I will never forget. But for a long time, I couldn't figure out how to express it in a way that truly captured what I feel. That changed when I discovered a new way of working with resin. I cut out only the basic shape of a wave and then let the colors move freely within those boundaries, just like wild waves. I used surreal colors, because that feeling is almost otherworldly. Amid all that chaos, there is a figure painted in oil — the only solid point — because in that moment, everything else disappears. In the end, I mounted the whole piece slightly in front of the canvas using screws, to evoke the surface of the water. And that was it. It's a piece I can look at anytime, and it always brings back that feeling — the one I keep chasing every time I head into the water with my board.

50x70 cm  She sat watching over a world turning red right beneath the windows. She doesn't expect a return. Only hopes it won't get worse. Someone has to stay home 

50x70 cm Metro. Not just a tunnel beneath the ground. Not just a train of carriages that takes you from point A to point B. The metro is the artery of the city. A pulse beating beneath its asphalt skin. Every day, thousands of stories. All of them just silhouettes of people, like ghosts of urban life and at the same time the main characters of their own lives. Metro has accompanied me throughout my whole life, and with this painting I wanted to pay tribute to it — a painting that, when you look at it, makes you feel as if you're right back in that moment riding the metro home late at night from a party, nervously studying for an exam, happily returning from a date…  

70 x 51,5 cm - concrete/epoxy The piece is an exploration of how we respond to brightness, not just visually, but emotionally. At first, the light is overwhelming, even disorienting. It forces a reaction: to look away, to retreat, to question. But over time, as the eye adjusts, something shifts. What once felt intrusive becomes welcoming. What was blinding becomes a guide. This work plays with that tension, between discomfort and attraction, between fear and curiosity. It reflects on how we often resist clarity because it exposes us, but in the very act of staying with it, we discover a gentler truth: that illumination, when met with openness, has the power to soften, to warm, and to lead us into fuller presence. "Through the Light" isn't just about seeing. It's about learning to stay until the day reveals itself. 

50 x 70 cm - epoxy resin, alcohol ink, concrete This piece represents the moment of diving info and emerging from water, transition between light and unending depth of ocean. Black brush strokes disapear in the black color, as we disapear in the depth, we hear only subtle hum of ocean, light is broken by the water surface and we feel the currents around us. Its just us and the ocean, deep in the fight with wild element, we just need to gather strength and swim up to the shining light and we emerge stronger than before. Its just overcoming fear and taking a leap into the unknown. 

70 x 51,5 cm - concrete/epoxy A work that hides in the darkness, but when you stop and truly look, an entire universe begins to reveal itself before your eyes.

44 × 64 cm - window with epoxy/concrete Steel and stone, where the vines don't grow, Trains run late, city lights glow, Run from the sirens, heart beats cold, But the paint still drips, let story be told. Walls ain't cages, they canvases waitin', For nature to breathe through the art that we makin'. Bringing the rawness of street into your home, don´t let your room be boring, embrace the chaos of street art, nature and architecture and let go for a moment.

60 x 80 cm - concrete tile/stabilised moss Grass growing through the cracks of the pavement as nature fights back the concrete bringing balance to life. The cracks usually seen as somthing bad now give texture to the street, little kids jumping over them, insects living in them, the monotome and still becomes alive. The cracks are something beautifull giving history and substance to otherwise bland things, don´t be afraid of them, embrace them, learn from them and new things grow from them.